By Jordan Scott Hardesty This conversation was immediately interrupted by a group of three men across the aisle of the train, who were also sporting their playbills. The men were closer to my age, and they were archetype of those who frequent Cubs bars in Lakeview. One said, “We heard you talking about the play and we wanted to join in.” It was around this point that it became clear that this was becoming a talkback.
By Emma Durbin Watching The Wizards was the first time I had ever seen a playwright depict violence against white men specifically because of their race (the reciprocal of when the same white men killed the four brown boys). In this way, Gamboa successfully dismantles white guilt and white power. This gives all audience members the rare opportunity to relax and grieve by imagining a future free from white supremacy. In the interest of championing and celebrating Ricardo’s work, The Wizards in particular, I asked them to sit down for an interview with me.
Hi TTS Alumni, Students, Faculty, and everyone else! The Grappler is on a search for answers from the past, as a dramaturg does. We have voted to design a new logo, but we would like to solve the mystery of the Hanging Chair Logo, once and for all. We're writing a multimedia article on the... Continue Reading →
by Emma Durbin What is the goal of your play? Many playwrights have an individual idea of what their writing is, and how they hope to impact an audience. However, many theatres are commissioning plays that reflect on today’s political realm with some means of distance. A playwright will present a play about the past... Continue Reading →
The Grappler is back from summer vacation and ready to write! First and foremost, The Grappler says goodbye to our co- Editor in Chief Trisha Mahoney as she embarks on a year in Germany. We welcome Jordan Scott Hardesty to the position. The Grappler looks forward to two more years with Jordan as Editor in... Continue Reading →
By Mariah Schultz Talking turtles, horny Athenians, and kiddy daiquiris are just a few of the delights in store if you dare to sit through the four hours of The Hypocrites’ The Aristophanesathon. That’s right, folks, you read that correctly. Four hours of Aristophanes’ eleven surviving comedies including two twenty minute intermissions. But rest assured,... Continue Reading →
by Mariah Schultz and Aidan Senn There is a fine line between satire and humor. The two can often coalesce, but humor is merely a byproduct of satire, not the sole function. At its heart, satire is meant to critique a clear truth in an exaggerated and often absurd (and humorous) extent. It requires precise... Continue Reading →
by Maddy Mason Ryan Gosling holds Rachel McAdams up in the pouring rain. Leo and Kate look longingly off to the side as their giant faces flank the RMS Titanic. Jennifer Garner skips in front of an outline of New York city, wearing a little slip and trenchcoat. The Rom-Com ranks pretty low for me... Continue Reading →
by Jordan Scott Hardesty The United States deserves a good laugh. We’ve been wrapped up in news articles, disingenuous speeches, suffering, and chaos for well over a year and honestly, it’s taking a toll on our mental health. A couple of years ago, we wouldn’t willingly look to argue with strangers on the internet over... Continue Reading →